Release. Explore Apply.
More than a method, Voice in Movement is a vocal philosophy focused on listening to the voice of each person.
Through the Panthéâtre/Roy Hart philosophy, I invite you to liberate, explore and develop the infinite possibilities that the human voice offers us.
This vocal technique specializes in the expressive conjunctio voice/movement, in the liberation of sound, the extension of vocal registers and the search for the geography of your voice and your vocal personality. In a relaxed atmosphere, which escapes from the traditional singing class, we will go towards an encounter with ourselves and with all the richness of our voice.
Offer of training courses and voice lessons
Voice lessons for
actors and stage artists
Develop your vocal potential and make your voice a real stage prop. Train yourself!
Improve your technique, free your voice and your creativity on and off stage.
Voice and
public speaking lessons
Develop your voice to improve your communication and public speaking skills.
See moreSinging lessons
and vocal exploration
Free your voice by exploring your sound register, express yourself and connect with your body.
See moreIndividual lessons
and vocal coach
Individual voice lessons for everyone and specific vocal coaching.
See moreVocal artistic
support
Vocal accompaniment for theatre companies and performing arts professionals.
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Daniela García
Actress, playwright and voice teacher.Daniela García
Founder of Voice in Movement.
Actress trained at the Universidad de Chile and Master in Theatre Studies at the Sorbonne-Nouvelle University in Paris. International multi-project artist specialised in the vocal area at both a practical and theoretical level.
Teacher with more than 10 years of teaching experience. Certified in Roy Hart vocal technique. Voice teacher at the Sorbonne Nouvelle University, at the Pantheatre company in France and at L’école du Jeu-Delphine Eliet (Paris).
As an actress she currently collaborates with Hand Made Theatre and Teatro Apátrida in Barcelona; and with Kaimera productions in Paris.
Upcoming courses
“The voice for me is a need that goes beyond words and singing.
It is to return to the raw material of sound, to a subterranean and atavistic space that is very little addressed in art, but which could be a source of expansion of the possibilities of the human voice on and off stage, in particular of the sung voice and the spoken voice.
Because sound precedes, exceeds and contains the words and the singing.”
Daniela García
What they say about me
Daniela is an artist of great sensitivity. Not only does everything she creates come from her heart and from her guts, but she is also a great professional, hard working and very demanding in all aspects of her art.
Daniela is an incredibly talented multi-faceted artist, performer and teacher. Her commitment to the work, her deep questioning spirit and her powerful stage presence make her someone I look forward to collaborating with for many years to come.
Daniela's vocal work helps you to find your own voice, in the deepest part of yourself, not in an idea of beauty or intonation, but in the truth of each one of you. She transmits good energy and confidence. She is amazing, she is a voice magician!
Daniela is a very complete artist/pedagogue. It is always a pleasure to work with her on any project and to be infected by her passion for her work and art.
If I had to describe her talent, I would be at a loss for words. She is a sublime, real and loyal woman. She crosses the stage with her eyes and her figure. She exposes her art from her biography. She explores the soul of the characters. She lives and lets art live in her.
Daniela always works with a creative and very clear openness to work; and at the same time she shares her performative tools that she collects and trains through pedagogy.
Daniela knows the listening and concision required for musical, choreographic and ideas theatre such as Pantheatre - both solitary and supportive. I have directed her in three shows and I can say that she is one of the collaborators who has most experienced and understood this work, including its 'Roy Hart' vocal side.
I've been teaching with Daniela for a few years now and it's a real pleasure. Together we try to associate the body with the music, the movement with the composition, to take care of the atmosphere and the mutual listening of the group.
With Daniela we started as colleagues in the theatre and years later she was my voice teacher. It is impressive how, through technique and research, she introduced me to sound spaces that I didn't even know existed. Today, thanks to these tools, I feel that I am a freer actress.
His work with sound starts from the knowledge of the inner pulse of each student he prepares, without leaving aside a deep accompaniment of the humanity of each being, with the sole objective of finding the music that resonates in each individual.
Artistic creation
For me, pedagogy and creation form an inseparable fabric, just as reality and fiction are intertwined in each of my specialities as a performing artist.
Interpretation
I am a restless and creative actress. I sing, I dance and I am passionate about language and strange sounds. My place is fiction and from there I try to create and communicate.
More details →Dramaturgy
My word as an artist is frank and simple. I like stories and the synthetic language of theatre. The last few years I have dedicated myself to writing from autofiction.
More details →Direction
Being off stage gives me a perspective in which I feel very comfortable. For me it's teamwork where everyone contributes so that the play ``comes out on its own``.
More details →Research
Through my theatre studies I have specialised in vocal exploration in actor training and developing the notion of ``Outre-voix``.
More details →Do you have any questions, suggestions or proposals?